If you add too much, the next step would simply wash much of it away. I add some detail in the wooded background and a little in the rocks -not too much. The falls are left as untouched paper with just a little water direction added at the base of the falls and foreground with a 2B pencil. I begin laying in values with a 2B charcoal pencil. At this point, I decided to do the finished drawing on a piece of 4-ply museum board using charcoal pencils. I also spotted a little tone here and there as guides to help me locate areas more quickly. Outline SketchĪ contour, or outline, sketch was made to position all the elements. It was worked on tissue paper with graphite pencils. I started with a thumbnail sketch that shows very little detail but does show the placement of values and the flow of the water. The crashing sounds of rapidly running water moving over rocks create a quite different, but equally enticing, mood from the stillness of a pond. Or, if the sun is overhead, make the tops of the rocks under the water lighter and include the outline with a little shadow. To capture the feeling of rocks under water, leave the value of the water the same overall and make the contour darker. The mirror-like reflections are very sharp no ripples are present because of the bright day. This drawing shows reflections of rocks in a quiet pond. Woods and the mountain in the background round out this small landscape. Ponds are often partially hidden by weeds and cattails, which are usually found around these small bodies of water. ![]() Here, interest was created by the placement of the weeds and the reflections in the water. ![]() These three small studies were all rendered with graphite pencils on Arches hot-press paper. The pond environment catches the attention of many a landscape artist. ![]() They may occur naturally as a result of underground springs, or they may be man-made holes dug for any number of reasons. Ponds are bodies of water smaller than lakes.
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